Antonio López Díaz is a painter and sculptor. He’s also a genius. And one of the seven members of the Movimiento Indaliano that was founded in a culturally impoverished, post-war Almeria, in the south-east corner of Spain.
Although I cropped most of the photos to only show the painting in question, here I felt like revealing how Antonio Lopez has all his paintings set up, one right next to the other, above and below, some way up high on the walls, some leaning on other paintings and some propped up on the floor (usually against another painting), in his studio.
In recent years, however, he became fascinated with modern and abstract art, and his hypnotic use of light and colour permeates all his latest work.
Antonio Lopez has been drawing and painting since he was almost a toddler. In fact, in his studio he pulled out an old painting that he had made at school when he was only six, which was when he discovered his precocious vocation.
These are two of his best-known works, and have been featured in numerous exhibitions.
Nonetheless, he only started studying formally when he was fourteen, and soon he signed up for classes with the Movement’s founder, the painter and sculptor Jesús de Perceval who was already a master artist. The two maintained a close friendship until the latter passed away in 1985.
The seven members of the Movimiento Indaliano, all of them painters, sculptors and artists, revived the pretty much inexistent cultural scene in a city devastated by the Spanish Civil War during the 1940′s. They adopted the traditional symbol of Almeria, the Indalo, as their logo, hence the name Movimiento Indaliano.
Antonio Lopez has lived a very picturesque and exciting life. After studying under the tutelage of Jesus de Perceval for several years, he decided to strike out on his own and moved to Brazil. There, he became quite renowned, and many of his paintings and sculptures still decorate public places, churches and altars today.
He eventually returned to Almeria, where you can also see samples of his paintings and sculptures as you walk around the city. I feel very privileged to know Antonio López.
This is his octopus stool, and next to it, a sculpted self-portrait.
This bronze statue, which was commissioned by the City of Almeria, stands in a quiet garden plaza in the city centre. (I’d taken some photos of my son standing next to it too, but he kept showing up with funny faces! Hence those photos are respectfully not included here.)
The general public won’t be able to see this mural painting of the Pão de Açúcar, Sugarloaf Mountain in Rio de Janeiro, because it decorates the entrance to the apartment building where Antonio Lopez lives.
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